Showing posts with label YA. Show all posts
Showing posts with label YA. Show all posts

Sunday, 6 July 2014

Take Back the Skies, by Lucy Saxon

Take Back the Skies is the impressive YA debut of 19 year-old novelist Lucy Saxon*.

It tells the story of Catherine Hunter, born into privilege, who to escape her regimented existence as the daughter of a government official in the land of Anglya, cuts her hair, disguises herself as a boy and becomes Cat, escaping her former life by stowing away on board the tyrium-powered skyship Stormdancer. She soon learns that what she has been told about the world beyond the borders of Angyla is a lie, and that she is the one who possesses the knowledge that could bring a crumbling and corrupt empire to its knees, if only she has the courage to initiate such dramatic change.

So far, so familiar, but the plot that develops - whilst being overwhelmed at times by the will-they-won't-they relationship of then two young leads** and lacking tension at others - is something unexpected, rich in world-building detail, politically complex, and full of twists and turns that will keep the reader gripped right up until the story's dark denouement.

The book's Steampunk influences are clear but, despite all the different interpretations of Steampunk that already exist in literature, they are given a new spin here by Saxon. And to have such a book as your first published piece of work is impressive indeed.

Thanks to those kind people at Bloomsbury Books, I have one copy of Take Back the Skies to give away. To be in with a chance of winning it, simply answer this simple question.

From where did Lucy Saxon take her pen name?

Simply email me at info@jonathangreenauthor.com with your answer, your name and your address and you answer be put into the proverbial hat with all the other hopefuls. The draw will take place two weeks today, on Sunday 20 July 2014 at midday (BST).

Good luck!

Lucy Saxon signing at the London MCM Expo, May 2014.


* Many reviews make much of the fact that Lucy is 19, and was only 16 when she wrote the first draft of Take Back the Skies. I can only put this down to sour grapes. (My own first book, Spellbreaker, was published when I was 21.)

** But then this is a YA novel.

Monday, 23 June 2014

Thought for the Day

"I tend to find in writing that a lot of my characters can get quite forceful when I'm trying to create them. It's almost like they are fully formed and I'm just trying to figure out what they are."
~ Lucy Saxon, Novelist




 


Wednesday, 14 August 2013

David Gatward on Horror

"Horror changes us. Through events that can be anything from mildly troubling to truly, abnormally horrific, we as people change. By engaging with what horror fiction and film has to offer, we explore all the possibilities available. We put humanity to the test, push it to the limit and beyond. We see what happens when things don't go to plan, when bad things happen to good people, when evil wins. Not because we're sick and twisted, but because we are fascinated by human nature, and amazed by its endless courage and strength in the face of impossible odds."



Monday, 13 May 2013

Thought for the Day

"Beginning work on a new book is always an act of faith."

~ Tom Pollock, author of the Skyscraper Throne trilogy

Friday, 19 April 2013

Zenn Scarlett by Christian Schoon

Zenn Scarlett is a bright, determined, occasionally a-little-too-smart-for-her-own-good 17-year-old girl training hard to become an exoveterinarian. That means she’s specialising in the treatment of exotic alien life forms, mostly large and generally dangerous.

Christian Schoon is a freelance writer who has worked for various film, home video and animation studios in Los Angeles, including the Walt Disney Company. Originally hailing from the American Midwest, after moving from LA to a farmstead in Iowa several years ago, he continues to freelance and also now helps rehabilitate wildlife and foster abused and neglected horses. He acquired his amateur-vet knowledge, and much of his inspiration for the Zenn Scarlett series of novels, as he learned about - and received an education from - these remarkable animals.

Today, Christian takes over the blog as part of the Zenn-a-palooza blog tour, arranged by Amanda Rutter of Strange Chemistry books. So, over to Christian...


Zenn Scarlett: A Day in the Life
 
The day starts early and dark for Zenn, well before the sun clears the canyon wall here in the deep end of the Valles Marinaris. It’s usually the voice of Sister Hild, one of Zenn’s instructors, echoing up to her dorm room from the calefactory entrance that wakes her. Dressing in a patched pair of hand-me-down coveralls, and rolling up the pant legs to avoid tripping, Zenn heads downstairs and out into the cool Martian air, crossing the cloister grounds to the refectory hall and kitchen, where she wolfs down a quick amaranth muffin and a cup of hot, bitter chicory coffee. She has a dim, fading memory of the luxurious, silken taste of real coffee, but since the Rift with Earth, something as rare as coffee is no longer found on Mars; at least, not at the co-op in Arsia City where the cloister barters for supplies. Checking the v-film flickering on the kitchen wall for any last-minute updates from her uncle Otha about the day’s activities, she sets off down one of the packed gravel paths leading to the first task on her roster of early morning chores.

Some mornings, Hamish will scuttle out from between one of the outbuildings to lend her a hand. Well, a claw. An eight-foot-tall insectoid coleopt, Hamish is in his trial period as the cloister sexton, or all-around handyman (bug). He’s amiable enough, and pleasant company for Zenn, but has a maddening habit of being unable to take the initiative or think for himself in most matters. This, Zenn knows, is due to the severely regimented coleopt culture in which he was spawned and raised, but it still rankles her. But, growing up as the only child within the mud-brick walls of the Ciscan Cloister Exovet Clinic and training facility, Zenn is glad to have Hamish as a friend; actually, as her only friend. The xenophobic towners in the nearby village of Arsia City will have nothing to do with the cloister and its “diseased, unclean alien monsters.”

First chore of the day for Zenn is stopping outside the enclosure of their resident whalehound and taking a quick read of the animal’s vital signs. She then records the data for Otha to evaluate later. At the ‘hound’s pen, Zenn greets the 80-foot, eight-legged otter-like creature, who responds to her with his usual snuffling exhalation. She activates the remote sensor-film hanging on the chain link fence and downloads the information to the sleeve-screen stitched to her coveralls. Satisfied at the results, she climbs up the path, and heads over to the cloister’s collection of treatment pools, which now holds a recently arrived mating pair of Tanduan swamp sloos, long as battleships, snake-necked and sleek as prehistoric plesiosaurs. The female sloo raises her tubular, ant-eater-like snout into the air, waving it about to catch Zenn’s scent as she passes.

The rest of the morning is spent in checking off similar items on her list of chores. Grizelda, an ailing, single-celled cryptoplasmoid the size of a small truck, needs her weekly dose of mineral supplements. Ernie the yote, a buffalo-sized scavenger from the plains of Procyon, is due for his distemper booster. And, the highlight of the morning: a visit to the baby Kiran sunkiller floating in the huge interior of the clinic’s main infirmary building. Just a little over 60 feet long now, the sunkiller’s gas-filled manta-ray wings will eventually grow to span a distance of over 1,500 feet, enabling it to carry an entire sky-palace on its broad back. Sunkillers are, of course, considered holy creatures by the Kirans who live out their entire lives in the structures erected on the animals’ backs. Zenn fully appreciates the fact that treating one of these impressive beasts is a once-in-a-lifetime privilege for any exovet, let alone a novice. Accordingly, she spends as much free time as she can spare, which isn’t much, in the infirmary.

After a hastily consumed lunch back at the refectory, Zenn’s afternoon will be filled with books, v-films and memorization as she does her homework in classes like alien physiology, parasitology, planetary ecologies of the Local Systems Accord and other course work. Her evening chores might be interrupted by a chat with Liam Tucker, a towner boy who, uncharacteristically, has shown a sudden interest in Zenn. She finds this both puzzling and annoying. Towners are alien-hating bigots, for the most part, and she’s not sure Liam is really any different. Plus, she’s got end of term tests coming up and can’t afford to be distracted. Especially by a wise-cracking towner boy with a reputation for attracting both trouble and girls. Will her long-standing rule against forming friendships outside the cloister stand up to Liam’s annoying, distracting ways? Only time will tell.

As the sun drops below the western canyon wall, Zenn will sit down, exhausted from evening chores, to a hot supper, prepared alternately by either Otha or Sister Hild. The huge calefactory hall will echo with their voices, perhaps prompting Otha to reminisce about the days when Zenn wasn’t the sole student at the cloister school; a time before the Rift with Earth, when the voices of dozens of novices and acolyte exovet trainees filled the hall. Then, after helping clear the table, Zenn will return to her dormitory room, review the day’s notes and prepare for bed. Katie, her pet rikkaset, will most likely already be curled up on the bed. The little raccoon-like marsupial, deaf since birth but highly intelligent, will sit up long enough to silently sign to Zenn, using her deft, long-fingered paws to say “Sleep now? Friend-Zenn goes to sleep? Katie too.”
 
 
You can find out more about Christian Schoon and Zenn Scarlett here, or you can pre-order a copy of the book here.

Saturday, 4 February 2012

Angry Robot Open Submissions Month

It happened last year and it's happening again in 2012.

However, this year the Angry Robot overlords are narrowing the focus and are specifically looking for classic fantasy (high, epic, medieval, magical, etc), and Strange Chemistry (their new YA imprint) will be looking for all forms of SF and fantasy YA.

The doors will be open from April 16th through April 30th. You can find out more details here.

Thursday, 17 November 2011

The demise of Floor to Ceiling Books and the birth of Strange Chemistry

So, Floor to Ceiling Books is closing its doors after over two years of sterling service to both the world of publishing and the book-buying public. It's been a great read, a fantastic source of information and, I'm pleased to say, I even got to guest post on it once.

The reason? Amanda Rutter is setting up a brand new YA imprint under the watchful eye of the mechanoid masterminds behind Angry Robot Books. This is very exciting news indeed (for all sorts of reasons) and you can read more about it here.

Friday, 29 April 2011

Y is for YA (or Young Adult)

Why YA? Well, because there wasn't such a thing when I was a teenager. I mean, obviously there were people you could classify as young adults, but there wasn't a specific branch of fiction targeted at them. In my experience you went from reading children's books to more adult books via such classics as The Lord of the Rings and Asimov's I, Robot.

Now it seems you can't move in bookshops for the sheer number of books targeted at these proto-grown-ups. I myself have recently tried out for a series aimed and 12-20 year-old males. I've never known of such a categorisation before. From my personal experience I was a very different person at 20 than I was at 12 and am not sure my younger self would have been ready for what my twenty year-old self was reading by then.

YA fiction is being marketed on a vast scale and it seems that everyone* is trying to get in on the act. But is it right to label, or brand, stories in this way? You can guarantee that what's right for one teenager won't suit every youth on the street.

Young Adult Literature (to give it its grander title) has become a genre which covers various text types including novels, graphic novels, short stories, and poetry. Much of what's published consists of young adult fiction which in itself contains several different types of text, but the genre also contains other various types of non-fiction such as biographies, autobiographies, journal entries/diaries, and letters. So basically it's any type of book. Big deal. So what makes it specifically fiction for young adults.

Well, for starters, problem novels tend to be the most popular among young readers; in other words novels that “addresses personal and social issues across socioeconomic boundaries and within both traditional and nontraditional family structures.” Memoirs are also popular.

This most wide-ranging of genres has itself been challenged due its seemingly mature content by critics of Young Adult Literature, but "other converted critics have embraced Young Adult so dearly that they have scoured the canon for any classics they could adopt into the YA family." So, in other words, kids are reading books for adults. Go figure.

I know that my Black Library novels are read by teenagers but I didn't set out to write a book only for them. Heck, my Fighting Fantasy books are written for children, but plenty of adults read those too. But I'll keep plugging away at my attempts to write for the Young Adult market, but at the end of the day what I'm most interested in is telling interesting stories, no matter who they're aimed at.


* I'll happily admit that I'm one of them.